It’s hard to imagine we’ve made it five years without tackling the incredible oeuvre of William Gibson, the author we are so eager to claim as Canadian that we have forgiven his American birth. Gibson burst onto the scene in 1984 with Neuromancer, the novel that launched a thousand terrible imitations (and a half dozen or so very good ones). Since then, he’s given us ten more novels, a wealth of short fiction, and a string of radically political non-fiction. So where to start?